If you love books by Farley Mowat, Scott O'Dell, Gary Paulsen, Jean Craighead George, Lois Lowry & Jack London, you'll love John Smelcer's acclaimed novels
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FORTHCOMING SUMMER OF 2015
Summer 1980. Brothers Sebastian and James Savage climb one of Alaska's highest mountains to prove to their father that they are worthy of his love and respect. Inspired by true events, Savage Mountain is not a story of father-son reconciliation. Some relationships can never be mended. Instead, it's a touching story of two brothers who save each other's life time and again, only to discover that brotherhood is the strongest bond of all.
JUST RELEASED SUMMER 2014
"An astonishing story of survival with more psychological depth than Robison Crusoe" --Frank McCourt (Angela's Ashes)
"Smelcer is the modern day Jack London." --W.P. Kinsella (Field of Dreams)
"A spare tale of courage, love, and terrible obstacles." --Wall Street Journal
"A survival story with a strong heart." --ForeWord Reviews
"A thought-provoking and moving coming-of-age story." --Publisher's Weekly
"Smelcer just keeps getting better." --Rosebud Book Reviews
"Purely & simply, Smelcer is one of the best writers in America." --goodreads
"Beautifully written. I love everything about this book!" --Cafe Libri
"John Smelcer is a rock star of Alaskan literature." --Mushing Magazine
"By way of remarkably poetic storytelling, Smelcer draws a flawless parallel between the unrelenting strength of nature and the indefatigable determination of the human spirit. Edge of Nowhere is yet another gripping literary triumph for Smelcer, which transcends both gender and generations." -- Midwest Book Reviews Reviewer's Choice
Taught in UK schools with Bear Grylls' Gold of the Gods
Alaska Battle of the Books for 2014-2015
American Bookseller's Association 2014 ABC Best Books for Children & Teens
Finalist, 2014 Houdatonic Book Award
Sixteen-year-old Seth Evanoff and his dog, Tucker, are swept off his father's fishing boat during a storm in Prince William Sound, Alaska. For months, the shipwrecked teen and his dog island-hop their way across the Sound on their journey home. All the while, Seth's father never gives up hope. Edge of Nowhere is much more than an adventure-survival novel. It's also a story about reconciliation, a father's love for his son, about heritage, and about struggling to overcome grief. Throughout the book is the message is that we all need to unplug ourselves occasionally from technology and media, especially young people. Adapted from a true story (see book's origin below).
Book's Origin: My brother and I were always hunting and fishing together. It’s the only time we ever really got along. During the long Labor Day weekend of 1986, we set out to hunt deer and black bear in Prince William Sound. We started out from Whittier, using my small, green jon boat with a ten horse power outboard motor. When rough weather set in, we tried to land on an island, but the piling waves swamped the boat, which sank to the bottom with all our gear, including our rifles. Wet and cold, we were marooned for five days. Our matches were ruined. We had no fire, but we had our hunting knives. We ate raw things from the sea and ripe berries. We caught and ate raw a few salmon. Finally, some other hunters came along in a boat and took us back to the harbor. Edge of Nowhere is loosely based on that experience. I added a golden retriever named Tucker, based on a friend’s beloved dog.
"Edge of Nowhere is not just for teens. It's a great adventure story for all readers. From the first page to the last, it's hard to put this book down." --Diane Burger, Librarian, Adair County Public Library
A perfect companion to Robinson Crusoe, Into the Wild, Hatchet, and Island of the Blue Dolphins.
Reviews and awards in the United Kingdom
"A great story; a nail-biting tale of triumph. I only cried once." --The Bookbag (UK)
"A hard-edged adventure story." --The Guardian (UK)
"A book ready to challenge the supposed superiority of Robinson Crusoe in the adventure genre, boasting considerably more psychological edge and an equally thrilling story line."
"A powerful novel that grips you tight and doesn't let go." --The Bookseller (UK)
Listed as one of the "Best Books for 2010" --The Independent (UK)
"This is a tale of triumph over adversity, a boy's determination to survive and a father who never gives up hope. A powerful and exciting novel. --The Harbour Bookstore (UK)
England Book Trust's Young Reader's Recommended Book List
Scottish Book Trust's Young Reader's Recommend Book List
Irish Book Trust Young Reader's Recommended Book List
Selected Book, Young Teen Fiction Award (UK)
Short-listed for the 2011 Hull Award for Children's Literature (UK)
NEW IN OCTOBER 2013
"A beautiful and moving story of courage and love." Ray Bradbury
Book's Origin and Themes: I am the father of two daughters, born almost a quarter of a century apart. There's not really a lot of adventure novels depicting the courage, determination, and inner strength in teenage girls. I've mushed dogs occasionally in Talkeetna, Alaska and I applied that personal experience in the book.
As someone who is part of two cultures, it was only natural for me to write this very autobiographical novel, which I dedicate to my daughters. I have lived in Alaskan villages and I am a voting member of a village council. The social problems depicted in the novel are real and disconcerting, but the message of the book is one of hope and healing and triumph. Social problems can never be improved until they are unflinchingly acknowledged.
Disbelievers of Taz, the Wolf: If you doubt that a wild wolf would befriend a human and associate so closely with dogs (i.e. be Denny's lead sled dog and friend), you need to learn more about Romeo, the 150 pound wild, black wolf who lived around Juneau, Alaska. For years, Romeo "played" with dogs who came to visit him near the Mendenhall Glacier while amazed pet-owners watched from nearby. Romeo even allowed some people to touch him. To learn more about Romeo Google: "Romeo Wolf in Juneau" and check out the photos below.
Facial tattoos, especially chin tattoos, were once commonplace among Alaska Natives. Some proud and daring younger Native women, like Amy Topkok (Inupiaq Eskimo) at the World Eskimo Indian Olympics are getting chin tattoos like Denny's. (photo used with permission)
The original cover design concept
Click here to read the original first chapter of the novel
(includes Questions For Discussion)
Click here to learn more about this amazing book.
Click here to watch a YouTube video about the book.
"John Smelcer is a rockstar of Alaskan literature. With this inspiring book, he has further solidified his status as Alaska's modern day Jack London. [Smelcer]gets the mushing details . . . spot-on. Full of life lessons readers will want to dog-ear for their own memory. An inspiring and hopeful story."
"Smelcer weaves an engaging tale of survival, love, and courage." School Library Journal
"Powerful, eloquent and fascinating, showcasing a vanishing way of life in rich detail." Kirkus Reviews*
*Kirkus recommends Lone Wolves to people who loved Gary Paulsen's Woodsong.
"One of the greatest adventure books...especially for young women. In the essence of Call of the Wild, Balto, and White Fang, Smelcer has written a book that will remain close to the heart." --The Book Nook for YA Readers
“This sobering novel centers on an Alaskan community surrounded by natural beauty but plagued by social and psychological dysfunction. Sixteen-year-old Deneena "Denny" Yazzie connects with nature in a way she doesn't with her classmates. Her mixed Native and white heritage leaves her feeling uncertain about her identity, while the wound left by her alcoholic father's abandonment is still raw . . . The Alaskan setting provides a haunting backdrop.” --Publisher's Weekly
“Smelcer’s work has a touch of the classical, combining good old-fashioned adventure and survival themes with heart-tugging moments of clarity and poignancy that recall Jean Craighead George’s Julie of the Wolves." Booklist
"Smelcer ambitiously juggles several themes, mainly tradition versus modernity and the importance of preserving one’s cultural heritage. Smelcer puts great care and detail into his depiction of traditional customs and daily activities as well as the current issues that plague the young people of these isolated communities. Any momentary concerns were quickly brushed away by Smelcer’s adept focus on Denny’s coming of age and the illuminating glimpse of Native Alaskan cultures." --The Horn Book
"A refreshing read with a charming and youthfully mature protagonist, Lone Wolves is a compassionate and inspiring tale which highlights the importance of family, community, and heritage." --Midwest Book Review
"Breathlessly paced and a thrilling ride for readers of all ages. John Smelcer is a gifted storyteller with a unique perspective that draws from Native myths, anthropology, languages, as well as classic American adventure tales."
Cambridge Book Review
"...an epic...in the Alaskan wilderness." --ALA Amelia Bloomer Project
"Smelcer truly knows Interior Alaska, which he describes with spare elegance."
--Daily Sitka Sentinal
Winner of the international 2012 Leap Frog Press Children's Fiction Award for middle/high school literature
Listed by the Juneau Empire as one of the best books about Alaska in 2013
If you love Lone Wolves read John Smelcer's The Great Death
A perfect companion to The Call of the Wild and Julie of the Wolves
New in Spring of 2013!
One of the "Hottest Graphic Novels of 2013" --Graphic Novel Reporter
"Native American Classics is a very rewarding book that features many fine Native writers and artists. An excellent anthology that shows the state of the art in Native American art and literature." --Indian Country
"The most beautiful collection of Native American myths, stories, and illustrated poems ever collected in sequential art form." --Comic Book Bin
“It’s especially important for non-indigenous people to hear these stories . . . as a counter-balance to the version of history we hear most often. These stories are painful to read, because they reveal a deeper wound than simply the appropriation of land. They’re about the theft of religion and culture – souls, really… I couldn’t forget that these were stories that European invaders tried to suppress and destroy. That they weren’t destroyed is the triumph of the book.” --School Library Journal
"Native American Classics is a fine plunge into a culture that's been shamefully underrepresented in the format [graphic illustration]. Much care has been taken to match the appropriate art style to each adaptation. Each story slips gracefully into its visuals." --Booklist
"A book to treasure and place in the hands of the young." --Rain Taxi
"A strong and illuminating book." --blogcritics
"Graphic Classics has proven time and again that it has the goods." --Comics Waiting Room
"Once again Graphic Classics demonstrates the art of comics adaptation with its new collection, Native American Classics. Pulling from a rich tradition of fiction, poetry, and oral narrative, and illustrated by a who’s who of Native American creators, this twenty-fourth volume of the series sets the standard for comics and its engagement with American ethnic identity." --Comics Alternative
Now available (March 2013)! A one of a kind graphic anthology of 19th and early 20th century Native American literature (poems, stories, and oral narratives) co-edited by John Smelcer and Joseph Bruchac and illustrated by many of the nation's best Native American graphic artists. Highly acclaimed! To read reviews or order copies click on:
American/Canadian Book Jacket (left) UK Book Jacket (right)
Book's Origin: When my full-blood Indian grandmother was a little girl, a worldwide pandemic reached Alaska, killing an estimated sixty to seventy percent of the Alaska Native population. No village was spared. It was the tragic end of an ancient way of life. Natives still refer to that period as The Great Death. My grandmother, Mary Joe-Smelcer, and her older sister, Morrie Secondchief—daughters of Tazlina Joe—were born in Tazlina Lake Village, which was infected by the plague and abandoned. I have been there. Nothing remains. Hunters have long since hauled away the cabin logs to burn in campfires. Even today, elders forbid visiting the old, abandoned villages for fear of disturbing the spirits. Throughout the 1990s, I met frequently with both sisters, who eagerly told me their stories, asking me to record them and to share them with the world. I had always planned to write this inspiring story, but regretfully, I didn’t turn to writing novels until after both their deaths. Published worldwide, The Great Death is based on their stories. The Indian words used throughout the novel come from the Ahtna language, of which the author, one of the last speakers on earth, is the editor of the dictionary. Morrie and her husband Joe used to teach John their unique dialect of the language. While The Great Death and The Trap are marketed as young adult literature, they appeal to all ages. A perfect companion to Two Old Women, Island of the Blue Dolphins, and Rabbit-Proof Fence.
To learn more about The Great Death and other epidemics in Alaska from the 1770s to the 1940s, read Harold Napolean's excellent book, Yuuyaraq.
To see a Google Earth map of the geograpic region, click here>
To read a newspaper article about epidemics in Alaska (in 1900) click here>
NPR interviewed John Smelcer about The Great Death. After the interview, Dr. Tom Nighswander, MD, an epidemiologist at Alaska's WWAMI Medical School, discussed the plague that killed so many Alaska Natives.
Amazon.com (Also available for Amazon's Kindle Reader!)
Nominated for the BookTrust Prize (England), The National Book Award,
and the American Library Association's Award for American Indian YA Literature
Listed with The Incredible Journey as one of the great adventure stories in The Book Lover's Guide to Children's and Young Adult Literature (foreword by Gregory Maguire, Wicked)
Short-listed for the 2011 William Allen White Book Award for Children's Literature.
Winner, 2010 Mind the Gap Awards for "Best Sisters" [in literature]
What others are saying about the book:
"The Great Death is an amazing story! I couldn't put it down."
-- Frank McCourt, winner of the Pulitzer Prize for Angela's Ashes
"A gripping and poignant story, made even more so because of its basis on historical fact. Smelcer's prose is clean and rich; original yet unpretentious." --Horn Book (starred review)
"An extraordinary story. A small miracle." --Tony Hillerman
"A prose style by turns informative, poetic, and graphic . . . An engaging tale of survival."
"A classic survival story." --Bulletin of the Center for Children's Books
"A strong and powerful book . . . the kind I'm not used to having in my hands!"
-- The Book on the Hill
"A must-read by an exciting new novelist. Definitely one to watch!"
-- Bookseller's Choice (UK)
". . . bound to become one of Alaska's most beloved books." --U.S. Senator Ted Stevens
"John Smelcer's gripping The Great Death is an epic journey." --The Independent (England)
"The Great Death ... is a celebration of the human spirit." --The Daily Mail (UK)
"The Great Death is an outstanding piece of writing and undoubtedly my favorite novel of the year." --The Bookseller (UK)
"A beautiful and poignant story. Stunning!" --Elie Wiesel, winner of the Nobel Prize
"The Great Death is part history and part survival guide. It graphically illustrates the effects of a plague on isolated peoples." --School Library Journal
John Smelcer's most acclaimed novel,
bound to become a classic!
Book's Origin: "For over twenty years, I hunted moose and caribou with my half-blood Indian uncle, Herbert Smelcer, who was an important leader in our tribe and in Alaska Native politics. Herb was like a father to me. As president of Ahtna Native Corporation, he signed landmark legislation with President Jimmy Carter. During a winter caribou hunt at twenty degrees below zero, Herb and I split up on our snowmobiles to cover more country. We agreed to meet at a certain place hours later. When Herb didn’t show up, I went looking for him. I found him standing beneath a tree at the top of a hill, his snowmobile about thirty feet away. His foot was caught in a wolf trap, bolted to the tree by a short chain, which had been concealed beneath the snow. He couldn’t escape by himself. It took my help to open the steel jaws. And although my uncle was unharmed, the idea for The Trap was born." Herb died before the novel was published, but he read the entire manscript, loving every word.
“The Trap is the best novel we've ever received in the history of the James Jones Prize."
--Dave Nightingale, president of the James Jones Literary Society
“Readers will be clinging to the pages of this graceful and haunting story. A small masterpiece.” --Kirkus Review
"The Trap is the most haunting and best written book this year." --Carousel (UK)
“An unforgettable story. Brilliant!” --Ray Bradbury
"A lovely story, beautifully told." --Winston Groom (author of Forrest Gump)
"The Trap is a remarkable book...written in beautiful language." --School Librarian (UK)
“The Trap is a gripping example of talented storytelling.” --Tony Hillerman
"Masterfully written, and the underlying meaning is one to contemplate." --Helium
American Library Association BBYA Top Ten Pick
VOYA Top Shelf Selection
New York Public Library Notable Book
United Kingdom Book Trust
Scottish National Book Trust
Irish National Book Trust
Listed in 101 Young Adult Novels for English-Language Classes around the World (Helbling Publishing, 2014)
Listed as a Recommended Novel in Get Those Guys Reading! Fiction That Boys Will Love (K. Baxter & M. Kachel, Editors, May 2012) and called "a riveting, scary read."
"Listed in Canada as a Recommended Novel for schools alongside such classics as Frankenstein, All Quiet on the Western Front, Brave New World, and Jane Eyre."
Listed in Reid's Read-Alouds as a recommended book for young readers (American Library Association, 2009)
Nominee: 2009 South Carolina Junior Book Awards
Selected Book for 'Battle of the Books", Anchorage School District 2009 and 2014
Gold medal winner for the best short story collection
International 2011 eLit Book Awards for Literature
Written over a quarter of a century, these two dozen stories embody the spirit of Alaska. There are stories about freezing to death at -60F, about bear and wolf attacks, about mammoths and shamans, about the harsh reality of Alaska's rugged wilderness, about the collision of cultures, about despair and triumph, and even a story about a failed 19th century polar expedition.
Click here to read one of the stories from the award winning collection.
"John Smelcer's story "The Bear" reminds me of Jack London's classic "To Build a Fire."
--X. J. Kennedy (Editor) LITERATURE, Introduction to Short Stories, Introduction to Poetry, The Bedford Reader
“John Smelcer is Alaska’s modern day Jack London.” --W.P. Kinsella (Field of Dreams)
“A celebration of the diversity of cultures. Undeniably important!”
-- James Michener, author of ALASKA
"An indispensible contribution to Alaskan literature." --J. D. Salinger
"A recommended book." --Small Press Distribution
“This writer speaks from the land, and for the land, and the people who belong to it.”
-- Ursula K. Le Guin
“John Smelcer is an Alaskan literary treasure.”--Jay Hammond, former governor of Alaska
“One of our best writers. Few people can afford not to have his writing in their library.”
-- Denise Levertov
“A compelling voice, unforgettable and highly recommended.” --Library Bookwatch
“What impresses me most about John Smelcer is his indomitable spirit.”
-- James Welch, winner of the National Book Award
“A talented storyteller.” --Tony Hillerman
"Few American poets carry such a heavy cultural burden."
-- Carl Sagan (from the foreword)
Buy Now at http://splitoakpress.com
OTHER BOOKS ALREADY AVAILABLE
"Rescuing a language that faces oblivion is always a remarkable achievement. We can only hope that such achievement will inspire others to follow in the same path."
-- Noam Chomsky
"Smelcer's poems and his two dictionaries of endangered Alaska native languages are a priceless gift to posterity."
-- Steven Pinker, author of The Language Instinct
Archived in Harvard University's Widener Library's linguistic collection.
Available May 2011 from http://tsup.truman.edu
"Raven Speaks has finally made it to America!"
-- Originally published in England in 1997 by England's Poet Laureate, Ted Hughes
"It was inevitable that Hughes and Smelcer should meet. Crow -- meet Raven."
-- Thom Gunn
"From the Far North comes Raven, jabbering news of this poet."
-- Ted Hughes
Buy Now at http://splitoakpress.com
The Binghamton Poems
Book's Origin: John Smelcer's tenth book of poetry, The Binghamton Poems (102 pages), is a collection of poetry written from the fall of 2006 until spring 2009. The poems were personally selected and edited by two-time Pulitzer Prize winner John Updike, who co-judged the National Poetry Book award with Smelcer in the mid-1990s. American Book Award winner Maria Mazzioti Gillan provided the foreword.
"Some say poetry is cathartic. Reading these poems teaches us that poetry is necessary." -- John Updike
Background: In the past 15 years, John has served as poetry editor, associate publisher, publisher, and briefly as publisher/CEO of Rosebud magazine, one of the premiere literary magazines in America. The current issue includes poems by Pulitzer Prize winner Alice Walker, a story by W.P. Kinsella (author of Field of Dreams), and a recently-discovered unfinished poem by Jim Morrison of The Doors. The next issue, due out later this summer, includes poems by John Updike and Amiri Baraka, who celebrates his 75th birthday this fall.
featuring John Smelcer's Essay -- "In The Past's Familiar Tongue"
From Library Journal: This anthology of 26 essays is a follow-up to I Tell You Now (1978). The authors, born mostly in the 1940s or after, come from many different tribes. Some are full blood, others mixed; some were raised on a reservation, others weren't; and some are well known, others obscure. They are professors, artists, poets, novelists, playwrights, social workers, and more. Arnold Krupat and Brian Swann assert that the essays reflect not only how many different ways there are to be Indian today but also how many different ways there are to write about these experiences. After a misanthropic description of American life, W.S. Penn admits, "The problem is that I don't really hate America. I hate the fact that what I want America to do is like me." Rex Lee Jim declares, "When I realized that everything matters, I immediately knew that my destiny was completely in my control." Vickie Sears calls writing "a wind" and a "moving in dreamdance." Like the previous anthology, this collection is a valuable contribution to Native American studies and literary scholarship.
From Booklist: Growing up Native American is unlike any other experience, although questions of identity and the struggle to find a place in the dominant culture resonate meaningfully to readers from all backgrounds. As Rex Lee Jim, one of the 26 contemporary Native American writers who contributed autobiographical essays to this striking collection, writes, "It's somewhat funny to know that the very personal is also the most common and therefore universal." Like many others, he focuses on the power of language, in his case, a Navajo prayer taught to him by his grandfather. Betty Louise Bell writes that as a child she "trusted words" to save her from the hardships of her poor, semiliterate family. Sherman Alexie's ironic and athletically graceful essay is the most dynamic, but each self-portrait compellingly discloses a unique facet of Native American life and of literature, which preserves memory, makes sense out of suffering, and renders revelations poetic.
SONGS FROM AN OUTCAST
(UCLA’s American Indian Studies Center, 2000)
Details: Selected and edited and with a foreword by Denise Levertov /Foreword to the bilingual poems by X. J. Kennedy. In the poems, some written in the Ahtna language and then rendered into memorable English, John Smelcer conveys a strong sense of his heritage, what poet Denise Levertov calls "his constant haunting awareness of indigenous life so grievously wounded yet still alive." Smelcer speaks from the Alaskan landscape, for the land, and for the people that belong to it. Smelcer has steeped himself and his poetry in his Ahtna traditions of language and ritual. As a result, his writing, with remarkable strength, succeeds in bridging his Native and English worlds. No library should be without this book.”
From Library Bookwatch: Winner of the 2004 Milt Kessler Poetry Book Award. Winner of the 2004 Western Writers of America Award for Poetry. Alaskan Native John Smelcer is the only surviving speaker, reader, and writer of his Native language, Ahtna.
Without Reservation is a collection of free-verse poetry by Alaskan Native American John E. Smelcer that emphasizes clear tone and vivid images that are simple, honest, and as-is. Smelcer is the only surviving speaker, reader, and writer of his native language of Ahtna, Without Reservation is a compelling voice, unforgettable and highly recommended.
"Without Reservation is a compelling voice, unforgettable and highly recommended." -- Library Bookwatch
A CYCLE OF MYTHS
Contains 20 Alaska Native Myths from southeast Alaska. Now in its 10th printing.
Background: Forty years after the largest tidal waves in history destroyed the tiny Alaska Native village of Chenega, the survivors talk about that tragic day. "The history of Alaska was incomplete before this book." -- Jay Hammond, former Alaska Governor. "This is an important and timely book." -- U.S. Senator Ted Stevens. "Must reading for every Alaskan." -- The Anchorage Daily News. The introduction is the best and most comprehensive reference on the 1964 Alaska Earthquake in print.
THE RAVEN & THE TOTEM
"A celebration of the diversity of cultures. Undeniably important." -- James Michener
Background: Containing 60 Alaska Native myths with a foreword by Joseph Campbell. Now in its 15th printing, The Raven and the Totem is one of the best-selling Alaskana books of all time. Translated worldwide. One story was the basis of a segment of the Emmy Award winning television series, Northern Exposure. Another story was adapted for use in the blockbuster motion picture, Free Willy. Winner of ALASKA Magazine's Editor's Choice Award.
IN THE SHADOWS OF THE MOUNTAINS (cover, bottom right)
RIVERSONGS (cover, top right)
WE ARE THE LAND, WE ARE THE SEA (cover, bottom left)
THE AHTNA NOUN DICTIONARY AND PRONUNCIATION GUIDE (First Edition) (cover, top left)
Details: In the Shadows of Mountains includes every traditional myth still remembered in the Ahtna Athabaskan culture. Pulitzer Prize winner and original Beat Poet, Gary Snyder, generously provided a foreword. Riversongs is a collection of poems, including a bilingual section featuring a foreword by Joseph Bruchac. We are the Land, We are the Sea is a collection of interviews with Alutiiq elders of Prince William Sound, Alaska, which examines the relationship between subsistence and culture, and includes candid discussions about the devastating effects of the Exxon Valdez Oil Spill. The original The Ahtna Noun Dictionary and Pronunciation Guide (1998).REVIEWS: